Without Fear

Ryan K Lindsay – Writer

Category: books

Bought Two Books: An Important Update of Importance

Waiting on my kids so I went for a wander to the local thrift shop and walked away with these two books:

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One’s a series of small essays about weird science – I’m sure the internet is packed with this kind of thing, but who wants to keep staring at a damn screen anymore?

The other one, though, DARKWORLD DETECTIVE, was just the kind of mash up to catch my attention. It was available for a single coin, so beyond anything else, it’s a tax write off and a donation to a good charity, so I walked away with it, and looking at the opening line, I think I’m really glad I did. Or maybe this is shame I’m feeling…you decide.

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There’s a beauty and a science to the world, and I believe both are sometimes in harmony.

My Reading in 2020

According to my GoodReads, I read 74 books in 2020

YOU CAN CLICK HERE TO SEE WHAT BOOKS I POURED INTO MY HEAD IN 2020

It’s an interesting bunch of stuff – melting together a whole bunch of comics, some picture books with my kids, some novel reading between it all, and some D&D stuff. YOu can get a weird constellation chart of my year from seeing what I’ve been imbibing.

Jumping from Dashiell Hammett to Frank Miller to some Netflix origins in Hilda and The Witcher. There’s also a guide to being autistic amidst my reread beginning on The Walking Dead, and two books written by my brothers, and then a reread of Hush I’d forgotten I did.

Covid keeps us from wandering into each others’ houses and admiring our book shelves, so here’s a digital peek at mine, or at least the pile I make when I’ve finished books and am too lazy to return them to their alphabetised spot according to medium/genre.

In 2020, I’ve set the challenge to read 84 books, so let’s hope the year affords me more mental energy, less social media, and plenty of pages through my fingers.

Goodreads – Pros and Cons and Musings

I dig Goodreads. It’s a social network all about books and reading. What’s not to love?

Well, it’s owned by Amazon. Who I fairly openly hate/distrust. I often wonder, if I hate Amazon this much, as well as many other monocorps, then shouldn’t I hate Google? I mean…I probably should, and yet I don’t. Maybe it’s Bezos. Maybe seeing one guy get insanely rich and just seem so dug in on not being community minded really lays me low. It’s probably that. Anyway, TL;DR Amazon can jump, buy from your local independent book seller. And yet, Goodreads….

I use Goodreads. I’m not an active member of the community, but I track my reading there. I don’t really know what other people are doing there, but I do my thing on there as a reader. I also don’t mind it as an author, I’m not behiolden to the review scores, but it’s another place I can try to gauge interest, I suppose.

You can see my reading and writing on Goodreads here!

As a reader, this year I set myself the goal of reading 52 things. I track novels, comics, and even picture books with my class/kids, so it’s not impossible to make the list. And the site is a great place to assemble the list, and if people are watching and get a good reading recommendation, all the more power to them.

However, I think I can also track this stuff on my own site, and I probably should. You should never have all your content held on another platform you can’t control. Take it from someone who remembers reading comics on MySpace and wrote for the site The Weekly Crisis. You want your own copies, and you want to do your best to own how/where you share them.

I use WordPress, and even with that I worry at times that maybe they get bought out and my site gets junked. Who knows?

I’m considering doing more to keep my reading pile tracked on my site, I just need to work out the perfect format for it.

As a writer, I recently just looked into getting my latest comics put on there, SKYSCRAPER and SHE. I found they’d already been added, but I needed one added to my author profile, and with both of them there, I was able to edit the entries with covers and such.

All this activity [and there’s always peripheral writerly duties that take up our time], got me thinking – is this helpful to me? Will any new readers find my work through Goodreads? Will I get a proper gauge on what people think based on reviews/stars there? Is it a good catalogue of what I’ve written?

I already keep a Writing Catalogue of everything I’ve written on my site because I think that’s important to maintain on your own. But the thought of someone finding my work on Goodreads intrigues me. I don’t “find” much there, but I will admit if I look for something on there and find it has a great star rating then I am definitely more inclined to be intrigued by the book and want to buy/read it.

This then got me wondering, do many other people use Goodreads to track, shelve, rate, review books they’ve read?

I know I will continue to do it, I don’t seem annoyed enough yet to dump Goodreads in the same way I have Facebook [and have been all the better for it]. But I will also try to keep the data I put there also on my own site, so I have my own source of what I’ve written, and what I’m reading.

If you’ve read my work and are Goodreads-inclined, then by all means mark them off as read.

SKYSCRAPER is now on there

SHE Vol. 1 is also up

Or you can just use your fine tip caligrapher’s pen to put it into your bespoke leather journal, or open a window and scream it into your neighbourhood.

Short stories are awesome. Always have been.

I love short stories. There’s something so special about the kind of idea a writer gets that only needs a small amount of space/character/world to tell. It’s not a novel, not a tv series, not a huge reverberating narrative engine – it’s just a thing that desperately needs to be told.

The ultimate short story collection that springs to mind for me is NIGHT SHIFT by Stephen King. Mostly because I read it so young it became formative, but also because it’s so damn good. I feel like every damn story in it is amazing, they’re all certainly memorable, and looking over the track list…nine are still absolute bangers that I stand by. A few others are good, but fall just short of great. But the collection is evergreen in my mind for what I dig about short stories.

I got thinking about them recently because I saw Hard Case Crime are releasing a collection of Ray Bradbury’s crime short stories:

That cover is so exceptionally haunting and beautiful. Where compositon and colour just flat out open my wallet. I really really want this book in my life if I can ever track it down.

I’d love to write a short story collection. One day. I’ve gone on to devour and enjoy so many more shorts from King – I know it’s technically a novella, but HEARTS IN ATLANTIS remains one of the most beautiful and magical pieces of writing I’ve ever read. Just thinking about it again now puts a little butterfly in my stomach.

His son, Joe Hill, also writes some exceptional short fiction. His collection, 20th CENTURY GHOSTS, felt like his Night Shift, and it had some stand out pieces, none more so than THE CAPE, later adapted into a comic that’s one of the best comcis of the past 20 years.

Being a horror nerd, I loved THE BOOKS OF BLOOD by Clive Barker. I will stop anyone in conversation and tell them about the madness of IN THE HILLS, THE CITIES – a tale where neighbouring villages get their entire populations to physically link together and form writhing human Voltron forms that then fight. Every time I describe it, peoples’ eyes just widen. That’s the sign of a great short.

Ethan Coen wrote GATES OF EDEN, which is a weird set of vignettes that feel like they fell out of scripts he would have tried, and they certainly captivate. Naturally, the shorts of Philip K. Dick mean a lot to me. There’s THE DAYS OF PERKY PAT, which is so strange and haunting, and there’s one whose name escapes me but I know Alan Moore completely ripped it off for one of his Future Shock strips. Who would forget the TALES OF THE MOS EISLEY CANTINA, followed by other collections set in Jabba’s Palace, and I think one about just the bounty hunters…right?

A great slice of short fiction offers an earworm of an idea. A 20 page sample of something that opens the door, fires the gun into your chest, and leaves you gasping, sucking in blood, and feeling yourself die. Short fiction is where smart writers sometimes play their best ideas and themes that haven’t found a full story, and it’s like they don’t leave a morsel on their plate – every quality piece of brain fuel powers their engine forward. I’m in awe.

I have one idea I want to tell as a series of short stories, and I’ve written…a handful of them, but I’ve shelved it for time, at this stage. I’m also writing very short pieces on my Patreon, twice a month, and they’re just a blast to get out of my head. From weird romance to ghastly serial killers, and all the strangeness in between, I’m just flipping up balls and taking a swing. It’s only 300 words, usually more, but it lets me play with voice, to experiment with style, and I have about 17k of them so far. There’s a part of me that wonders if I could stitch together 20-something-thousand and put them into a book. Some of them rate as my very best writing, which is a weird place to leave my best work, but sometimes you never know just what’s going to come out. Some are maybe…not as good…or as we say, they can’t all be winners in a collection. But we try.

I don’t know what will come of them, but for now I’ll continue having fun writing them, perhaps you’d like to follow my Patreon, which you can do for free, and sometimes I put the 300 Flash Fic out as a free post. You might dig what you find.

Oh: also, this doesn’t even take into account comic shorts, of which I’ve done a few, and I love dearly. You can read some of my short comics on my site for free, and on my Patreon this week I’ll be posting some and their scripts for you to enjoy!

Follow along on my Patreon now for all the writing goodness!

Bookfair Haul 2020, First Quarter

I love the Lifeline Bookfair. A whole giant building just rolling with tables of awesome old books. Just getting to roam and browse and scope out covers and enjoy it all is a beautiful afternoon to behold.

This year I did the Saturday lunch run, so Friday peeps had already pecked the comic section dry, which was a shame, but I managed to snag CITY OF GLASS, which I’m keen to get into. I also got this LIFE IN FIVE SECONDS book which takes a story, or sometimes a concept, and lays it out in a handful of stick figure flow charts. Genius, and I can’t wait to read them all, but also would love to teach this kind of business. Here’s a good one, can you work out what it is?

I was talking to my mate I went with about Corey J. White, and how I dug KILLING GRAVITY, and wanted to get the next 2 books, and then the second book appeared. But then so did the first, so my mate snagged that. Absolutely beautiful bookfair synergy.

I got Mieville’s EMBASSYTOWN because I enjoyed THE CITY & THE CITY, and because these covers are gorgeous. Whereas I got SENSE AND SENSIBILITY AND SEA MONSTERS because I genuinely enjoyed PRIDE AND PREJUDICE AND ZOMBIES and this was $1 so I had to know if it’d hold up [which I’m certain it won’t, but I’ll still get my money’s worth].

The rest were all cheap choices based on covers. Have a look. I could spend an hour just looking through what books people buy and enjoying the experience just as much that way, too. Where’s my bookfair haul insta feed at?

Note: these books are still sitting out in my office, on display, and they bring me joy every time I walk in and see them.

What is Best in Life? 2018 Edition

Nothing like an end of year round up. A time to reflect, a time to take stock, and a time to project.
Overall, 2018 has felt like a year of building pressure. Whether we get a glorious wave into 2019, I don’t know, and whether I have the balance to ride that wave and not get crushed I also do not know. But I’ve done my best to stay positive and keep wheels behind the scenes moving, so while I didn’t publish a lot this year, I did prep 4 pitches, and put the scripts for one project to bed, and wrote a tonne on another one, and have lined up a few one-shots with artists I’m excited to bring it all together with.

If everything I worked on in 2018 came out in 2019, it would be a stellar year. So we shall see.

And while I said I didn’t get much out in 2018, what did come out was stuff I’m crazy proud of. The BEAUTIFUL CANVAS tpb landed in Feb, collecting last year’s acclaimed mini-series, and the month before it we started the year strong with ETERNAL, and I’ve been saying if you only publish one new thing all year, but that thing is ETERNAL, then it’s been a good year. Eric Zawadzki and Dee Cunniffe deserve all the praise this year.

Now, onto some things we can list!

MY TOP COMIC OF 2018

I really dug some good good stuff this year. Image tops the list with so much quality: GIDEON FALLS was something I got caught up on recently, and that book is very fine, as is CEMETERY BEACH, for totally different reasons. SHANGHAI RED was my jam in the same way SINK at ComixTribe is. PAPER GIRLS and SAGA and DEADLY CLASS continue to be masterpieces, and I really enjoyed MY HEROES HAVE ALWAYS BEEN JUNKIES, but the top book really has to go to something that’s one of my very favourites from my very favourite creative team:

KILL OR BE KILLED

Just a stellar end to a wicked story where both Sean Phillips and Ed Brubaker were on superbly fine form.

MY TOP NOVEL OF 2018

Man, THE OUTSIDER from Stephen King could have run away with this, if I’d only stopped before the final hundred pages. It’s not *bad*, but it is not as blistering as the first half of the book. That first half is pound-for-pound King at his dark criminal best.

I also really dug PLATO WYNGARD AND THE ARMOUR OF THE GODS, the second novel from my two brothers, Marc and James Lindsay, but that feels a bit nepotistic, and would make them far too happy.

I took a few weeks to smash through HANGMAN, where Jack Heath writes such a ballistic crime novel that you can’t help but be impressed with the layers of familiarity he builds into his characters alongside the wild intricate puzzles and violent moments.

But there can only be one, so, I’ll lay this one at the feet of:

WE RIDE THE STORM

This fantasy epic from Devin Madson was something I bought because she showed the opening line on her table, and it’s a banger:

I honestly hadn’t read a fantasy book since my David Eddings days in high school, but I was keen to try this out. It’s Book One of a bigger story, so the opening hundred pages is a lot of table dressing, but by the final hundred pages it’s just fistfuls of food being slammed into your mouth faster than you can chew. And I mean that in a good way. The action and character drama continue to rise, and I was hooked on all three plot threads as they wind ever closer.

There were also two particular chapters where I finished them and thought…damn, that’s some good reading.

If you get the chance, track this down, it’s bloody, glorious, and bloody glorious.

MY TOP TV SHOW OF 2018

THE GOOD PLACE came so so close to running away with this one. The third season has been just as good as the rest, and in a way that’s different from S2, which went about it different from S1. The show is a titanic force, and I’m a better writer for having watched it, but something else from this year jumped ahead of it through sheer force of will. And it wasn’t DAREDEVIL S3, or GLOW S2, or THE KOMINSKY METHOD S1 which came out of nowhere to absolutely thrill me, nor was it my marathon catch up of three seasons of THE LEFTOVERS, which I’m discounting because it’s an older show. No, the top gong is kinda easily held onto by this one which should be absolutely obvious when you really think about it:

ATLANTA S2

This show good, this show real good. Some of these episodes, mostly in the middle in and around the Teddy Perkins ep are just A+ analyses of the modern world as told through gonzo noir small screen cinema. So so perfect.

MY TOP MOVIE OF THE YEAR

It’s one thing to announce a tie, and it’s another to give that tie to two polar opposite things. Both of these flicks did what they needed to do nigh perfectly, and they left me in very different places, and I can barely separate them. One will be endlessly rewatchable, one will be a hard watch again, though I will. One is high pop bubble gum joy, one is brutal art house insanity. Both, though, are long. I can’t separate it, so I’m letting the chips fall where they may – the top flick[s] of 2018 are:

AVENGERS: INFINITY WAR and SUSPIRIA

Watching the Marvel Cinematic Universe come to this big break moment at the end of Infinity War was something to behold, a truly special feat. The movie is top notch event comic action fun. It’s *BIG* and it’s wild and it’s a smile injected into your lips. It’s not high art, and it shouldn’t be. It’s not a great character study, and it shouldn’t be because there are about 500 principal hero cast at play – though it is a study of Thanos, which is both as bold as it is brilliant, and it’s for that reason it crossed the line at the top.

However, across the aisle, SUSPIRIA does everything different, and is most likely the more true superior flick. It is high art, it’s weird, it’s a character study, or more of a location study, a look at witch hierarchy in dance schools. It’s unsettling, and everything holds huge gravity – which is funny when you consider the death count in Suspiria must be about 0.0000001% of the other cape-inclined movie. I feel like Suspiria is more likely to sit atop Best Of lists when we look back in 20 years, but Infinity War will be more remembered, and more wildly remembered, and will sit on its own Best Of lists, too, for its own reasons.

MY TOP PODCAST OF 2018

I’ve gone deep into WOW IN THE WORLD and STORY PIRATES with the kids on all commutes, and they’ve fed my brain in wonderfully small ways. SERIAL returned and was interesting, but lacked that central narrative engine that makes it a binge-worthy podcast. I also found it crazy depressing, to the point where it almost felt like it was inducing anxiety in me after listening for an ep, and maybe that’s a huge point: if listening to it all give me the shivers, imagine living it 😐

I’ve caught up on a tonne of the GOOGLE TEACHER TRIBE PODCAST just to keep my dayjob game tight, and it’s worked a treat, making me feel energised about all kinds of things for work, especially going into 2019.

But, I think this year goes again to OFF PANEL, the comic interview podcast where the creators are well picked and always get down to real talk. I still love this podcast, and still get a constant stream of quality inspiration and joy from it.

MY TOP MUSIC OF 2018

There was new Sarah Blasko this year, I got DEPTH OF FIELD and it’s a great writing record, but it lacks the punchy catchiness of her other albums, so I think sneaking in at the top might be the SUSPIRIA soundtrack.

And I think that’s a wrap. 2018 had some good stuff, and it also felt like mental quicksand. But walking into 2019 will feel like walking free, so I better make the most of it.

Here’s to building a better stronger list of live in yet another year.

CICADA – Sublime Social Discourse, Y’know, For Kids

There is so much contained within this book, and like a cicada, it’s just waiting to burst out from beneath the surface. You need this book in your homes, in your classrooms, and in your hearts.

Shaun Tan is a wild genius, and sometimes he does it with a lot – glorious words, hyper-detailed and strange art – and here he does it with so little. The art is still beautiful, and what words there are sing off the page, but it’s his mastery of control and surreal commentary that make this a modern masterpiece about modern culture as we live in it.

The story is about a cicada that works as an office drone, is unappreciated by the humans in whose world he lives, and it’s all very bleak and subdued. From here, Tan comments on modern capitalist society, and how downright boring it is, and why we should abhor such an existence, and he does it so effectively that I’m hard pressed to think of a better literary burn on what a waste most of what we consider “modern living” is. The final words would be haunting, if not for the fact they made me laugh so much.

This is a book with heady themes present, and every adult will connect on a very real level, but kids should be exposed to this kind of thinking. They should have it unpacked for them.

S P O I L E R S

Cicada is about whether we’re getting busy living, or getting busy dying. It’s about city living versus getting back to nature. It’s about putting the goals of necessity before our happiness. It’s about how we’re getting it all wrong.

The titular cicada is completely downtrodden, ignored, bullied, and cast aside. It’s horrible. But doesn’t this happen to us all when you really think about it? It might not be obvious, or explicit, but most of the time it doesn’t hurt to consider if we’re making any difference, and if that impact has any real staying power. Or do we live, consume, die, and the world turns on?

It sounds horrible, and it really kinda is, so the story offers a solution of sorts.

The cicada, retired, already forgotten, walks to the roof of the building in which it lives as well as works and it splits open. A blade of red light appears, and the true cicada form emerges, naked of the business attire, and it returns back out to nature where it started. More importantly, where it belongs.

The theme of the story is that we should be doing what we are meant to be doing. We should be connecting with nature, we should be living and working within our means, we should be putting happiness ahead of…I don’t know, progress, bland citizenship, money.

It’s better to live as a cicada in the wild, happy, than grind through an endless life in the city and be a millionnaire.

The book leaves us with the cicada’s blistering assessment – it has left the city, to return to its kind, and sometimes they think about the humans, and they laugh.

This stopped me, and I had to laugh, but I was stopped nonetheless. Yes, they laugh, at our ludicrous existence, and Tan hits the nail on the head.

We’ve got it all wrong.

But this book is a step in the right direction, in a way. It’s a book to share, to come together for, to discuss, to open our minds and hearts, and to change our futures.

We should be doing what we’re supposed to be doing, not what we’re told we should be doing, or what we’ve told ourselves to believe we should be doing.

Weighed down by all of t h i s ? Then shed your skin and let’s get started.


CICADA by Shaun Tan is no doubt available at every good book store near you. Google one and find it and support your local bookseller.

 

THE FIREMAN – A Study in the Modern Insanity

THE FIREMAN by Joe Hill is an astonishing novel that’ll completely engulf you.

I love Joe Hill, I’m a complete mark for his work, and this book is definitely one of my absolute favourites of his stuff. It’s a great premise, handled well in the narrative line it chooses, the characters lure you in, and by the end you’re exhausted in all the right ways.

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On the ISLAND OF THE LIZARD KING’s Cover

For as long as I can remember, I always dug playing the Fighting Fantasy books.

My brothers had copies of these strewn around the house, and I don’t even know at what age I picked them up, but I can vividly remember playing them when I was about 7, half laying under our coffee table, and half poking out with a cushion under me, to roll the dice, to battle the pages, and to make my own adventure sheets in an art pad.

I loved the adventure, the nerdy mathematical/chance aspect of it all, and the scenarios and art were wild. These were infinitely better than the Choose Your Own Adventure books – these were the Horror Section of your old VHS emporium compared to the Kids Rental Section of your safe old library.

I didn’t realise it at the time, but these were the METAL interactive story/game pages of my youth.

We owned many of these books, and I played the all, and while many hold a dear place in my heart, it is always this cover that fires up my imagination. behold, the ISLAND OF THE LIZARD KING!

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What Is Best In Life? – 2017 Edition

I love a good year end list. And this list is very much about me, and my year, and what works for me. If you dig what I usually dig, then seek these things out.

Oh, and this just means things *I* did/imbibed in 2017, not necessarily things *from* 2017 because I’m crazy behind on things all the time.

Okay, roll the thing!

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