This coming week sees the third, and middle, issue of SPEED REPUBLIC land in comic shops around the world.
This strange and wild futuristic car race comic that’s more about the people behind the wheels than it is how fast the wheels can go has been a blast to see land with readers. Emanuele Parascandolo and I took a high octane landscape and are telling a politically charged commentary on what it looks like when the wrong person is in charge andnot many people are being looked after at all.
I want to take a moment to highlight all of the covers, because #5 is our final issue and it’ll be out in June, so now we can see all the covers together. Emmanuele truly is a joy to work with and his covers delight me endlessly. Please, remind your comic shop to set aside copies of every issue for you, and I hope you enjoy your race through this story.
The latest issue of my new series through Mad Cave Studios is in Previews magazine and ready to preorder through your LCS! Come see what Emmanuele Parascandolo and I have created with…
SPEED REPUBLIC #2
Illustrated by Emmanuele Parascandolo
Written by Ryan K Lindsay
Coloured by Michele Monte
Lettered by Joamette Gil
Edited by Chris Sanchez
Choose from one of these two covers!
The first issue lands on Feb 02, and this is later in March.
The comic is set in the future where Europoe has formed one nation state, united under the face of The Autocrat – a singular ruler who’s in it for himself, and the few he allows in his periphery. The rest of the nation is slipping into despair and ruin, slowly, painfully, with resources and opportunities few and far between. But once a year the Autocrat runs The Great Race, a kind of gumball rally style epic drive where one winner gets admission to the haven of the 1%.
Sebastian Valencia has entered the race because he’s got little other options left to him. His father is dying, his life very bland, and this is at least a glimmer of hope. Even if the survival rate for drivers is low due to the other racers, and maurauding street gangs, and just the landscape in general, this race is at least a chance for money and safety and life beyond the reach of your arm.
And so we set off on this race, and madness ensues. It’s as much The Running Man as it is Mad Max as it is Speed Racer as it is The Cannonball Run.
Here are some early reviews to help push you across the line to preorder our wild beauty:
Well at least it’ll be better than 2020, we cried into the night, before a few months of 2021, and then we just cried into our cereal.
It’s been an interesting year. We’d come out of Covid and lockdowns and the year started pretty cruisy. Where I live, we had zero cases for months on end and everything genuinely felt fairly back to normal. My teaching game was strong, I was reading plenty, and then Sami Kivela and I had EVERFROST launch at Black Mask and Sebastian Piriz and I had BLACK BEACON launch at Heavy Metal.
Things “looked” good.
Then the Delta variant swept across the nation, slowly but surely, and eventually invaded my ‘hood and we went into another lockdown. When that happens, my teaching load goes through the roof. It wasn’t as bad as 2020, but it was still pretty escalated. My comics kept coming out, I kept teaching, so there was nothing catastrophic.
Then I decided to change up my dayjob a little – I’ve moved from teaching little kids to now teaching English. It’s rad. But it’s taken a lot of mental load and prep to make the transition smoothly, especially as it happened as we came out of lockdown – a strange time to be doing anything, no less starting a new job at a new school.
It did mean I was ‘forced’ to do more reading, though.
I have no clue what 2022 has planned, but looking back on 2021, there’s a lot of good so I’ll spend this space celebrating some of that good stuff. Here goes…
As always, I manage to find awesome comics to read because people keep making pretty awesome comics.
My brain took in a Joe Hill Double Bill.
PLUNGE was one that stood out for it’s John Carpenter vibes and beautiful Stuart Immonen art. I dug the book, it’s a very fun ride, and does what it says on the tin with its 80s horror flick vibes.
I followed it months later with A BASKETFUL OF HEADS, which was one I didn’t know anything about, and I’ll be honest that the cover was giving me the wrong vibes for it. I thought it was some kind of eerie gothic slasher book, and it’s anything but – open it to find it’s another 80s throwback, maybe even late 70s, honestly, about a young woman defending herself against some escaped criminals, and she randomly uses this axe from a house display, and it’s a mystical blade that doesn’t cause death but instead life. So when she chops someone’s head off, it remains living.
A great premise, and a really enjoyable book!
My mate Paul Allor teamed with another mate Paul Tucker to create HOLLOW HEART and it really was something else to touch your heart. A brilliant tale of love and monsters and captivity. Seeing Paul write the kinds of emotional and esoteric stories I wish I could fills me with joy.
TRESPASSERS from Breena Bard was one my kids picked up, but I instantly devoured. A really fun middle grade romp about a forgotten mystery and some kids who think they’ve got the right thread on the sweater to pull. I really do love stories about kids investigating crimes. There’s just something about it as a kid I always loved, and as an adult it still fills me with joy and inspiration.
DAREDEVIL continues to be a comic I enjoy, but I gotta admit I’m getting lost in the monthly churn with it. There’s a chance I might transition to trades on this soon, as I have with most things, because my monthly buying and reading has gone to guano since these last two lockdowns, and I find myself constantly lost in where I am up to, or what’s been going on and for how long.
If this also means books need to pivot more towards graphic novels, well, I’m all for that, I guess. The more they make them, the more people will buy them when they come out, and then the more stores will sell them, and then we’ll better get into the habit of buying them, and around and around it will go. I hope.
Speaking of people buying graphic novels as they drop: RECKLESS from Sean Phillips and Ed Brubaker dropped another 2 volumes this year. I read the first [which is the second volume] and it suitably kicked ass. I actually have but have not read the 3rd volume, as I’m holding it off as some kind of New Years treat, alongside a few other things, like NOVEMBER Vol. 4 from Elsa Charretier and Matt Fraction. I had to hustle through two different reporting periods, and then I’ve been reading stuff for next year, so these two are waiting for me and I cannot wait.
Transitioning to another Brubaker book, this time with Marcos Martin, I got myself straight into their collaboration with FRIDAY and found myself loving it more and more as each issue slowly wound its way around this very awesome mystery plot. This book is just the definition of beautiful, so I’m looking forward to more.
Did a cheeky run of rereading and ploughed through DOUBLE INDEMNITY by James M. Cain, FRANKENSTEIN by Mary Shelley, THE GUNSLINGER by Stephen King, THE OLD MAN AND THE SEAS by Ernest Hemingway. All good and interesting reads.
I read THE THINGS THEY CARRIED by Tim O’Brien that’s a short story collection/exploration of the author’s time in Vietnam during the war and it’s a fascinating study. The circuitous way the stories are constructed and present certain key moments, it’s really quite beautifully done.
Benjamin Percy’s THRILL ME is a collection of his essays on fiction and it’s been instantly added to my mental curriculum list of things you should read if you want to be a writer. It takes a lot of his presentations and essays and makes them easy to digest, with examples, and a really strong and engaging authorial voice.
But it was WARLIGHT by Michael Ondaatje that captured me the most. This brilliant story about two kids after the war in Europe struggling to discover themselves, as well as the truth of their family, is a phenomenally well told narrative. The aspects of duality in life, the two sides we have, the truth we never know, the cause and the effect are all explored and brought to light [and hidden in the dark] in this really thoughtful and gripping read.
TED LASSO dropped a second season. Wherein the first looked at Ted slowly winning everyone over, this season went a whole new route – it’s basically just everyone on a journey to combat their inner demons, or sometimes the outer ones. A season of people trying to kick depression in the nethers sounds…ethereal, but it really built and built. It’s hard to compare against the brilliance and surprise of the first season, but I feel like this one stands alongside it as a perfect companion – not a clone, mined for similar but diminishing success, but a new step into something just as challenging and emotionally true as the first.
I really enjoyed WANDAVISION – a superhero show that kinda made you think. It was unlike most anything else from the MCU, and for that alone I was happy. I’ve watched them all, and found FALCON AND THE WINTER SOLDIER to be fun, but that was about as far down as the show could dig, and LOKI was as charismatic as its lead, and WHAT IF…? definitely scratched an itch for me. Good to have one I could watch with the kids, too.
HAWKEYE was a little up and down, but Hailee Steinfeld really grows into the role for me. Yes, another quippy, snarky superhero, who knew?! But she’s so good in the role, I’m happy to see the entire Marvel film franchise end up in the hands of her, especially when paired with Yelena as their scenes in the show were absolute dynamite for chemistry. Give them the reins of the show alongside Captain Marvel, and Falcon and the Winter Soldier, and Scarlet Witch, and Valkyrie, and whatever other younger heroes I’m forgetting, or they continue to amass.
ONLY MURDERS IN THE BUILDING was a fun crime show whose premise and structure was really well put together. Getting to see Steve Martin, and Martin Short, both get decent roles to play and show they still know how to chew up some scenery was a delight.
Feel like I watched more, but specifics elude me.
MITCHELLS VS THE MACHINES has to be movie of the year, right? I could watch it once a week and still find myself laughing my absolute ass off. So effortlessly constructed and genuinely funny as well as moving. Just a masterpiece of family cinema.
BO BURNHAM: INSIDE was a complete earworm of a show, but I thought it was just the right balance of poignant against the esoteric. I found myself genuinely captivated, which for something shot by one guy in his house is very impressive.
I can’t remember what else I saw this year…
I discovered THE KINGSLINGERS podcast, wherein two fellas started reading THE DARK TOWER books, but one has already read them all, and one is completely new to it. As they go through sections they discuss what the newbie thinks is happening and what certain things mean. It’s a great way to unpack certain elements, and was fun to listen to alongside my reread for the first novel, and then to listen to their thoughts on the second one because it’s probably still my favourite of the series.
They’ve moved onto other King works, so I’m going to listen to the ‘SALEM’S LOT eps while I reread that book this month.
I also discovered SMARTLESS where Jason Bateman, Will Arnett, and Sean Hayes interview random Hollywood guests and it’s a fun show. I usually get a solid laugh out of it each time.
It’s been a good year for fun stuff to enter my brain. Here’s to 2022 bringing more good entertainment vibes, as well as creative ones. Keep the brain spinning and swimming!
My next comic is on the horizon – SPEED REPUBLIC is set to launch in Feb 2022, and I am hugely excited for this to hit the stands at 100mph!
SPEED REPUBLIC is a 5 issue miniseries about an epic car race across the future nation state of Europe where the winner gets a safe future, but everyone else risks death and worse along the way.
Art by Emanuele Parascandolo
Colours by Michele Monte
Letters by Joamette Gil
Written by Ryan K Lindsay
Edited by Chris Sanchez
Published by Mad Cave Studios
This is a really fun story where I get to take our leading character, Seb Valencia, and put him through some pretty wild situations. I’m channeling THE LONG WALK by Richard Backman/Stephen King by way of considering how the Coen Brothers layer vignettes into a fine tapestry and in doing so a tale across Europe has unfolded that takes into account the future, what happens when someone has too much power, how people survive, why people survive, and just how weird we can all get if given enough space and desperation.
The book is available for preorder now through your local comic shop, and you should hit them up and tell them you want you want every issue of this set aside for you so you do not miss out. Every issue gets better until we land on very, very awesome final issue sequence. Here’s the preorder info:
We also have a video trailer that you need to see because there are many interesting little peeks into things that are coming in the series. Keep your eyes peeled, because we guarantee you’ll see things here that intrigue you, and will delight you on the page in a few months time.
I am really psyched, and genuinely honoured, to announce that the EVERFROST tpb lands in December with a Foreword written by one of my favourite modern writers Lonnie Nadler!
You can still preorder the trade collection of all 4 issues of EVERFROST at your LCS so it’s ready for you when it hits shelves in early December! Here is all the info you’ll need.
We got two lovely pages of erudition from Lonnie Nadler for this collection, and I asked him along for the ride because he’s someone I massively admire, but he also fit the sensibilities of this book perfectly. It’s a big sweeping sci fi epic told in very specific and formulated chunks across 4 issues. It’s got structure, and huge ideas, and meaning behind it all and that all made me think of Lonnie.
To recap the brilliant work Lonnie has done, which I’m sure you’ve read, let me go through my highlights!
Before any comics were made, I met Lonnie at the Seattle Sheraton in 2013 and he instantly stood out as a Good Bloke. That kind of introduction is something you always file away for later use. And so, later, in 2017, when I’d meet him again, it would be as I tabled at ECCC with Eric Zawadzki who was in the midst of producing THE DREGS with Lonnie and co-writer Zac Thompson [another Good Bloke].
Now, I loved THE DREGS, it’s this insanely smart and disgustingly beautiful homeless noir story that grabbed me by the collar and shook me awake with each issue. So, naturally, I was stoked to make time with Lonnie throughout that weekend to talk comics, movies, and life alongside some burgers or just the buzz of the showfloor.
Since then, Lonnie has continually ascended in comics opportunities and quality. Putting out a few more creator owned books eventually led to some Marvel opportunities for him and Zac, which they both ran with through some wild storylines, and the whole time I could see Lonnie putting meaning into his writing, wanting everything to matter and be quality and use comics as part of the story, not just the final delivery method.
It’s then that Lonnie wrote BLACK STARS ABOVE with Jenna Cha co-creating as artist, and the book absolutely floored me. It’s eerie and beautiful and such a delight for the brain to read. It might be Lonnie’s masterpiece, which says something as it stands atop an already hugely impressive career.
So, yes, when it came time to think of someone to write a Foreword for EVERFROST, there was only one name I thought of. Lonnie had already read the first few issues and given me some lovely feedback in am email, so I took my shot and was grateful he said yes.
The way I work with Forewords is I think of the one right person for the project and then I ask and hope. With every book I’ve written so far, I’ve asked just one person, and have usually been lucky enough to get them. If the book has no Foreword, it’s because that one person declined, or didn’t manage to make it in time. I was lucky enough to have Lonnie agree, and step up well before the deadline.
Thanks for choosing to preorder the tpb, indie comics are a small gig, and every single order matters, and tells stores that this book will sell, so then they’ll add another order for 1-2 for the shelf, particularly important as this lands right at the start of the holiday buying season. Thanks for telling your mates, or sharing my good word about the story, or for just being awesome. It is all appreciated.
EVERFROST the trade collection lands in December, preorder from your LCS today to get this epic sci fi tale from me, Sami Kivela, Lauren Affe, Jim Campbell, and Dan Hill, all through Black Mask Studios!
This has been a year of me hyping EVERFROST, so it makes sense we’d close the year with a trade paperback release of the whole story in December.
If you are a trade waited, we got you covered — if you dug the issues, well, it’s just in time to buy a copy for a mate as a holiday season gift [I swear, more people need to give random comics as gifts – gifts aren’t about finding exactly what someone needs and filling that gap, they’re about finding something they didn’t know they needed and then expanding that pocket for them; normalise giving random things you *think* they’ll love].
Anyway, EVERFROST, our sci fi story of heartbreak and a big sword, is being collected in a tpb and it lands in stores everywhere in December and you need to preorder your copy now to ensure your store has one for you!
Written by Ryan K Lindsay
Illustrated by Sami Kivela
Coloured by Lauren Affe
Lettered by Jim Campbell
Edited by Dan Hill
Published by Black Mask Studios
I’m crazy excited about this story dropping in one book. I’ve worked so long on it, and I’ve loved it so deeply for that entire time, so getting it in its final form is going to be a heartwarming pleasure.
I’ll post more about it in the coming month – about our excellent reviews, and why the story is a banger, and the awesome Foreword we got written by an absolute genius – but for now, short and simple: tell your local comic shop you want a copy and prepare yourself to read and enjoy when it drops in december [or to not read but gift it like a boss]. Here are all the details you need!
ETERNAL is coming back to comic shops in Ocotber, you can preorder a copy through your LCS now!
I love this OGN I created with Eric Zawadzki, and Dee Cunniffe on colours. It’s a haunting tale of a shieldmaiden, Vif, who kills a sorcerer and then a small magical hell breaks loose in her world. This is a squarebound OGN, with high quality paperstock, and a bunch of back matter included. It was originally released in 2018, and now it’s hitting the shelves again so people can get another look at it.
The work Eric put into the art on this book is next level/god tier stuff, and Dee is the perfect partner for every page and emotion we delivered.
If you’ve been enjoying my writing this year – EVERFROST with Sami Kivela or BLACK BEACON with Sebastian Piriz – then I implore you to check out this book as it’s got that same melding of emotion, violence, landscape, and a killer artist!
It was a huge honour to be rated on a whole stack of Best Comics of 2018 Lists – in fact, I’d almost forgotten ust how deeply loved this book was.
When we released in 2018, our sales were strong, but since then comic shops have continually told me what an evergreen title it’s been for them – they dip in for a few copies each month, they sell a few copies each month, repeat. Well, this is a chance for a surge.
If you slept on this book so far, let your LCS know you need a copy. If you are looking for the perfect holiday gift, well, this is a graphic novel for $7.99 – I cannot express the value you are getting for that.
If you need a little nudge, here are all of the reviews that loved us:
The second chapter to the sci fi comic miniseries from me and Sami Kivela lands in comic shops this Wednesday!
EVERFROST #2 – Bootleg Fidelity
Artist: Sami Kivela
Colourist: Lauren Affe
Letterer: Jim Campbell
Editor: Dan Hill
Writer: Ryan K Lindsay
Publisher: Black Mask Studios
Van and Eight have stepped back into the bustle of the Precinct to discover her son is still alive, there’s an epic war between the Bloom and the Warlords bubbling over, and time has become a little fluid since she went out to live on the ice. She needs a whole mess of answers, so she goes to the one person she thinks might be able to help…her mother. Join us for a tale of echoes through time we could only call ‘Bootleg Fidelity’ as two key characters meet untimely deaths!
I’m really proud of this issue. The first one did a lot of heavy lifting and world building and brain stomping – so this one slows things down a little, we let van steep in this new world. I think you’ll dig it.
Hopefully you already asked your LCS to set you aside a copy, but if not, they should have some on the shelves so go in this week and get yourself the second issue to this series that’s been another hit for me and Sami!
“I am a huge fan of both Lindsay and Kivela; I love how neither are just settling as creators. Instead they continue to push their talent forward with stories that feel as diverse as any of the big indie publishers output. For a book that mixes scope of environment with the scope of human emotions, Everfrost, through Lindsay and Kivela, surely delivers.” – 10/10 Johnny Hughes @ Comic Crusaders
“EVERFROST #1 is a remarkably well executed debut issue that serves up a perfect blend of dystopian fantasy Sci-Fi with a heavy dollop of human drama threaded through it’s center laced in the tragedy of a world in turmoil and decline. Highly recommended to fans of esoteric Sci-Fi.” – 10/10 Ross Hutchinson @ Comic Watch
“Every page is a delicious treat that leaves one craving more.” – 9/10 Scott Redmond @ Comicon
The interstellar sci fi comic from me and Sebastian Piriz is coming from Heavy Metal and we are excited about it.
The story is being serialised in the heavy Metal Magazine proper, but they are also releasing us in single issues through their Elements line and the first issue lands next month, but you can ask your store to set you aside the first 3 issues as they land because the third one just went up in Previews.
Here are the cover to what is half of this story, so please speak to your LCS and ask them to preorder and set you aside a copy of each of these as they come out monthly starting in July.
I’m so excited about this story coming out. The single issues are $2.99, and we’ve packed the back with extra materials and information and fun.
Everfrost has been so long in the making, I’m now wildly excited to see it finally hit the shelves, and there are all kinds of emotions coming to the surface. The usual excitement mingled with fear is natural. Relief, pride, maybe even contentment. I’m really proud of this book, and it coming out heralds another new complete story I’ll have put into the world.
Getting the chance to tell a story is no small feat. I don’t want to brush over this, I never want to brush past this. Creating a full world, populating it, and finding some moments worth a damn that you want to share – that’s the alchemy of writing.
I really hope you like Everfrost, but honestly, I hope any of you get a chance to love it as much as I do.
Comic shops will have their copies this week – whatever day you head in, I hope you find a copy on the shelf [or you wisely preordered so they’d put one aside for you and you have no risk of missing out]. Buy it with a smile, tell your comic shop retail magus how excited you are to read it – I bet they love hearing that kind of thing. Comic shop peeps aren’t in it for the millions of dollars, either, they just love seeing stories connect from one human to another.
This sci fi heartbreak is full of passion and creativity and hope and lived experience and desire and energy and I could not have asked for a better team than Sami Kivela, Lauren Affe, Jim Campbell, Dan Hill, and Matt Pizzolo at Black Mask Studios to help bring it to the page.
Thus begins our 4 issue miniseries, each issue packed with fun back matter pages, and our whole walking hearts. Keep your eyes out for this cover, and if you get a chance let us know what you think.